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‘This project has become a long-time coming, and it is very special if you ask me,says Ms. Wallace (Biggie’s mother). Words can’t even capture how elated I am for that world to finally see my son again on stage and beyond. Christopher’s impact and legacy will not only live through his past work, but also the new experiences which has been granted through ARHT Media.’
Typical, people joining the dots and getting together again their particular impression of what the think is going on, but usually isn t. Plus, you re assuming Oprah knows anything relating to this. She has probably never heard about you Revolva and won t have known regarding the researcher/booker (not producer) that called.
It s bad enough that we must read the same Dre article every 2 days, but it s profoundly absurd that you just aren t even writing anything anymore at this time. It s 1 or 2 sentences using a link to an the 40 articles (which are also a couple of sentences having a link or two plus a screen cap) and possibly an image.
If Spotify actually compensated artists fairly; they likely wouldn t have pulled their content. I don t believe that the sole option is Spotify or illegal downloads. From what I ve seen on this website before; Spotify is passing along alongside absolutely nothing to the artists which they play. If artists actually saw a considerable return, and/or could trace sales coming from Spotify customers; maybe they wouldn t have pulled their tracks. As a consumer; I would quite definitely prefer to be Tame Impala tickets vegas able to continue to access all music by which I m interested via legal streaming services for example Spotify. But, as an artist; I can also start to see the business rationale for keeping some tracks exclusive.